Clothes are our autobiography and our identity. Through them, we “can trace the connections of love across the boundaries of absence, and of death, because cloth is able to carry the absent body, memory, genealogy, as well as” the characteristics of its materiality.
In his article Worn Worlds: Clothes, Mourning and the Life of Things, Peter Stallybrass tells us he lost his friend Allon White to cancer. When Allon died, Stallybrass came into possession of Allon’s favourite jacket. Stallybrass wore it to a presentation where suddenly, he was overcome with emotion and could not continue. He recalls,
“…I was inhabited by his presence, taken over…..he was there in the wrinkles of the elbows, which in the technical jargon of sewing are called ‘memory’. He was there in the stains at the very bottom of the jacket….above all, he was there in the smell”.
Susan Avishai: My Father's Leather Jacket |
Meru Parmar: Woven Wedding Saris with gold and silver threads |
Carolyn Barnett: My Mother's Horruckses Dress EVERY GARMENT TELLS A STORY |
Every garment tells a story
about the person who made it
whose hands have touched it
fingers caressing
a body it enveloped
in comfort
or adorned
the persons who sold it and disposed of it.
every garment tells a story
about the person who wears it
each day and the event it was worn for
stories for the adventures they accompanied us on
stories of the people met while wearing them
stories of the relationships that they witnessed.
and when the person who once inhabited the garment does so no longer
the garment remains
storing these silent stories
each stain, each rip, each frayed seam
commemorating like a marker
our memories
their only inhabitants
Line Dufour ©2019
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